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The oil houses that built the goth-perfume aesthetic

Graveyard dirt, copal and fog machine were ordinary catalogue notes at four small American houses long before the seasonal spooky-scent roundups arrived.

Undernotes4 min readRoundup

A long horizon line across the lower third of a wide frame with three thin threads of smoke rising from it and braiding into one near the top right, and a small closed circle at…
A long horizon line across the lower third of a wide frame with three thin threads of smoke rising from it and braiding into one near the top right, and a small closed circle at…

Every October the aesthetic arrives fully formed: cold stone, dead leaves, church resin, a cemetery in fog. It did not come from seasonal launches. It came from a small group of American perfume-oil houses that have sold graveyard dirt and copal smoke as ordinary catalogue notes for years, at prices where a curious buyer can own eight at once.

The format matters as much as the imagery. An oil house blends concentrated fragrance into a carrier oil rather than alcohol, fills small batches to order, and sells 1 ml samples for the price of a coffee. That made it viable to release a perfume about a conjure man's cabin, or about a fog machine, and to keep going until a shared vocabulary existed.

The witch shop, written as a note list

Nui Cobalt Designs has run out of Columbus, Ohio since 2012 under founder Forest Nui Cobalt, who describes the line as "handcrafted Magickal perfume oils" charged under optimal astrological conditions. It is the clearest case of the aesthetic being built rather than borrowed, because the house names its subjects flatly.

Witchy Shoppe is a room inventory: oakmoss, copal smoke, champaca, frankincense, Tibetan cedarwood, tonka bean, walnut, clove, Egyptian musk, sage and graveyard dirt. The structure is the interesting part. Moss and cedar underneath, resin smoke above, one white flower standing in for the dried herbs and beeswax of an actual shop.

The Conjure Man's Cabin pushes further into the abstract naming this corner of perfumery invented, listing pinyon in the fireplace, ancient leather, copal, vetiver, mud, hay, twisted roots hung from the rafters, top shelf hooch, pipe tobacco and Appalachian wilderness. Some of those are materials; some are stage directions. Both scents cost $4.75 for 1 ml and $19.95 for 5 ml, which is part of why the vocabulary spread.

Resin is the engine, not the costume

Of the eleven Nui Cobalt and Black Phoenix bottles named here, six list myrrh outright and the other five reach for frankincense, copal or unspecified incense. That is the mechanism behind the mood, and it is not reserved for Halloween.

Black Phoenix Alchemy Lab, founded in 2000 by Elizabeth Moriarty Barrial and Brian Constantine and selling online since 2002, is the longest-running of the four and hand-blends its oils in coconut or jojoba bases. Its Hatshepsut sets myrrh, kyphi, ground frankincense and blue lotus incense against kohl, sand and stone; Blauer Mond runs myrrh with opoponax, terebinth, moonlit oudh and tobacco leaf. Neither is a costume scent. The same palette turns up in Let It Bee from Nui Cobalt, where myrrh sits under honey, patchouli, sandalwood and labdanum, and in Charybdis, which pairs it with fig, molasses and pine tar. Resin is house grammar. October borrows it.

The club, arrived at twice

Two houses reached the same unlikely note independently. Nui Cobalt's Goth Club lists fog machine, clove cigarettes, patchouli, skin-warmed leather, myrrh, cabernet, scarlet musk and the well-worn wood of the dance floor. Black Phoenix's Vampire DJ of Some Renown lists ice, fog machine juice, ozonic notes, dark rum, patchouli root, amber, clove and incense. Glycol haze as a perfume note is a genuinely specific idea, and it belongs to this scene rather than to the season.

Sixteen92, founded in Fort Worth, Texas in 2014 by Claire Baxter, formalised the point. Its Goth Night collection, which the house says is inspired by goth and industrial club anthems, includes Black No. 1, Head Like A Hole and Cities In Dust. The maker's own framing is unambiguous: in the seventeenth century, the about text says, "we would be outcasts, sorceresses, witches". Sixteen92 works in parfum rather than oil, from $7.50 for a sample up to $65.

The newest house, and where it leads

Sorce shows the aesthetic being inherited rather than invented. Caitlin Hayes launched it in Charlotte, North Carolina in May 2022 as Sorcellerie Apothecary, shortening the name to Sorce in June 2024 after the Latin sors, meaning fate. The catalogue keeps the register going in extrait form: Vampire Wife, Don't Whistle in the Woods, A Witch's Valentine. Samples start at $6.25 and full sizes run to $176.

The telling detail is retail. Sorce opened a studio in Charlotte in 2023, moved to a larger space in the city in October 2024, and stocks other artisan perfumers there. The witch shop that Nui Cobalt rendered as a note list now exists as a room to walk into.

One format footnote: not everything in this corner is a perfume oil. Black Phoenix's Grisard Dragon, $37, is a hair mist built on silver sage, incense, limestone dust, sandalwood and ambergris, which is a sensible way to carry incense through a warm indoor autumn.


The practical upshot for September: the seasonal-switch bottle and the Halloween bottle are often the same purchase in this scene, because the houses never treated the register as a costume. A resinous oil bought now has ten weeks of use before the date it supposedly belongs to.

Where to start

  • Witchy Shoppe, Nui Cobalt Designs, $4.75 for 1 ml or $19.95 for 5 ml. The reference text for the whole aesthetic, and cheap enough to test the idea rather than commit to it.
  • Watching the Sun Glow, Black Phoenix Alchemy Lab, $31. Leaves, earth, smoky birch tar, beeswax, embers, guaiac wood, tobacco, woody myrrh and labdanum: for readers who want the autumn half of this without the graveyard half.
  • Lestat, Black Phoenix Alchemy Lab, $36. Cognac and beeswax candles over medieval French church wood, incense, stone, black leather and brandy, for the literary end of the tradition, dressed for evening.

In the library

Featured in this piece

Everything named above, as it is catalogued here. Prices and stock come from the makers’ own shops.

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